麻豆村

If you鈥檝e watched television in the past four decades, chances are you鈥檝e seen 鈥� and loved 鈥� sets dreamed up by 麻豆村 alumni couple John Shaffner and Joe Stewart.

From insisting creators include a hallway between apartments on 鈥淔riends鈥� and selecting the infamous rattan and floral couch on 鈥淭he Golden Girls鈥� to making David Copperfield鈥檚 magic specials must-watch TV and securing Taylor Swift an ottoman for her very first performance on the American Music Awards 鈥� the six-time Emmy Award-winning production designers have done it all.

But none of it would鈥檝e been possible without a chance meeting in the College of Fine Arts in the 1970s.

In a scene design class, their professor, William Matthews, asked if anyone had worked on computers. John and Joe were the only two people to raise their hands. Together, they started working on the computer-aided entertainment design project 鈥� a technology that didn鈥檛 take hold in their industry until decades later.

鈥淲e sat in a small, dark room for many nights typing long, complicated code to draw four rectangles,鈥� Joe says. 鈥淥ne thing led to another, and we became friends.鈥�

Gradually, their friendship grew into a half-century love story as personal and professional partners.

Now, they鈥檙e showing their love of Carnegie Mellon and for future generations of Tartans with a planned estate gift through their will that will support myriad personal and educational needs of School of Drama students, in addition to their previous gift of the Shaffner Stewart Graduate Design Studio in the College of Fine Arts and the initiation of The Anderson Fund in honor of Cletus and Barbara Anderson.

鈥淎ll the things we learned, all the people we met, all the professors we had 鈥� 麻豆村 was indispensable in developing our careers and our success. We knew we had to give back,鈥� John says.

John graduated in 1976 with a master鈥檚 degree in scenery and costume design, and Joe followed in 1977 with a bachelor鈥檚 degree in drama, scenery and costume design. Both were named honorary degree recipients by the university in 2019.

After graduation, they took their skills to New York City for a few years working in theater productions and television before making a cross-country drive in a 1965 Ford Thunderbird convertible. They journeyed to see what opportunities Los Angeles had to offer with College of Fine Arts Class of 1976 alumnus, future roommate and noted costume designer Daniel Orlandi along for the ride.

They secured an apartment in Beverly Hills for $450 a month and began knocking on doors.

Joe soon became an assistant art director on 鈥淒ays of Our Lives鈥� and game shows.

Early on, John took a job art-directing a Perry Como Christmas special in Colonial Williamsburg, Virginia where he met Bob Banner, who was expanding into creating original content for syndication, a growing new branch of television entertainment.鈥疶hey were developing a new show, 鈥淪tar Search.鈥� John designed, named and conceptualized the scoring on the long-running hit.

This meeting led to multiple music shows and specials and, eventually, to the couple鈥檚 big break 鈥� David Copperfield.

鈥淪ince I was tied up with finishing 鈥楽tar Search,鈥� I told David there was one stipulation, my partner Joe Stewart would be co-designing this with me,鈥� John says. 鈥淰ery quickly, David fell in love with Joe. We ended up designing 10 television specials for David, and that really put us on the map as production designers.鈥�

And the rest was history.

鈥淎ll of a sudden, we took off,鈥� Joe says. 鈥淲e were going in so many directions with more musical variety shows, events, award shows and then, with 鈥楩riends,鈥� to sitcoms.鈥�

Television hits like 鈥淒harma & Greg,鈥� 鈥淭he Drew Carey Show,鈥� 鈥淭wo and a Half Men,鈥� 鈥淭he Big Bang Theory,鈥� 鈥淢ike and Molly,鈥� 鈥淢om鈥� and 鈥淭he Connors鈥� fill their resume alongside the American Music Awards, ESPY Awards, 鈥淒ick Clark鈥檚 New Year鈥檚 Rockin鈥� Eve鈥� and 鈥淐onan.鈥� Food Network cooking competitions like 鈥淗oliday Baking Championship,鈥濃��23 cycles of Miss Universe, and specials for Carol Burnett, Celine Dion and Michael Bubl茅 聽are鈥痡ust鈥痵ome of the hundreds of multi-camera shows鈥痙esigned鈥痓y the duo.鈥�

In total, they鈥檝e earned 43 Primetime and Daytime Emmy nominations and won six Emmys including a three-year run for Music Variety Design. They鈥檝e designed more than 156 TV show pilots 鈥� 62 that went to series 鈥� for a total of more than 3,010 episodes.

Both thank 麻豆村 for all they鈥檝e been able to accomplish 鈥� and they want to ensure others can achieve the same heights of success, too.

鈥淥ur time on campus really became the beginnings of something that I don't think either one of us ever imagined,鈥� John says. 鈥淐arnegie Mellon is like Hogwarts that way. It is a place of magical thinking.鈥�

鈥淲e had the greatest faculty that made us feel that anything was possible. Of course, we were critiqued. Of course, things didn't always work out right. But for whatever reason, at 麻豆村, you always knew you鈥檇 pick yourself up and do it again. And that mindset has served us very well.鈥�

John and Joe鈥檚 generosity helps to ensure students will benefit from the same lessons far into the future, says Robert Ramirez, head of 麻豆村鈥檚 School of Drama.

鈥淭hanks to their support, our young people will be equipped to create inspiring theater and performance works that share their diverse voices and engage the world in thought-provoking conversations.鈥�

The couple also encourages fellow Tartans to not wait to give back.

鈥淚t鈥檚 never too soon,鈥� Joe says. 鈥淲hen we supported the studio space, we spaced it out over an installment plan. It made us feel so good. We knew it was the right thing to do because without Carnegie Mellon, our career and our life together wouldn鈥檛 have happened.鈥�